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At some point, frustration enters, then bitterness, then rejection. If they are not finding the story, their enthusiasm wanes. Whatever approach you discover that works for you, even if it involves little or not prep work, good luck and go with God.įirst, in my experience a writer is much less likely to finish a script if they haven’t figured out at least the major plot points before they type FADE IN.
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Repeat: You may be a writer who either cannot abide the process of prep-writing or find it actually inhibits your creativity.
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They simply have to type FADE IN (or if a novel, crack open that file) and have a go at it. Some writers absolutely loathe and can’t handle any sort of prep. Prep-writing is essential to the success of page-writing. However we have to balance that out with finding the story.
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I understand writers have an itch to get into the page-writing, which is great because that can help overcome the single greatest challenge of writing: depositing one’s ass onto one’s chair to actually write. As far as I can tell, this is the origin for the idea of “breaking” a story, as in breaking a wild horse. In other words, break your story in prep. However you do whatever you do leading up to FADE IN, do it and do it an immersive, thoughtful way. However in my view, it is impossible to overstate the importance of prep-writing. There is no single universal approach that works for everyone. My last Prep: From Concept to Outline workshop of 2020 begins August 10.Īs I say: There is no right way to write. Good Day Persons of Letters, this may be good.
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Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.Writers! Thought that this just may warrant a peek.
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GOROGOA SCISSORS NEEDLE THREAD REGISTRATION
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